Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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unknow artist
Arab or Arabic people and life. Orientalism oil paintings 345

ID: 47602

unknow artist Arab or Arabic people and life. Orientalism oil paintings  345
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unknow artist Arab or Arabic people and life. Orientalism oil paintings  345


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unknow artist

  Related Paintings of unknow artist :. | Still life floral, all kinds of reality flowers oil painting 209 | Sexy body, female nudes, classical nudes 123 | Arab or Arabic people and life. Orientalism oil paintings 137 | Arab or Arabic people and life. Orientalism oil paintings 226 | Floral, beautiful classical still life of flowers.090 |
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Eugen Kohlhauer
painted Dreimastbark unter vollen Segeln in 1898
Girolamo Parmigianino
1503-1540 Italian Girolamo Parmigianino Galleries
Frederick Goodall
British Painter, 1822-1904 Painter, son of Edward Goodall. He was taught by his father and first exhibited at the Royal Academy in 1838. His earliest subjects were rural genre scenes and landscapes, many derived from sketching trips made between 1838 and 1857 in Normandy, Brittany, Wales, Ireland, Scotland and Venice. In the 1850s he also painted subjects from British history. More significant for his subsequent career was his visit to Egypt from September 1858 to April 1859. In Cairo he lived in a house in the Coptic quarter with Carl Haag. Together the two artists went on expeditions to Giza to draw the Nile, the Sphinx and Pyramids, and to Suez and across the Red Sea to the Wells of Moses at 'Uyen Mesa. Goodall also made rapid sketches in the crowded streets of Cairo. 'My sole object in paying my first visit to Egypt', he wrote, 'was to paint Scriptural subjects'. The first of these, Early Morning in the Wilderness of Shur (London, Guildhall A.G.), was exhibited at the Royal Academy in 1860 and won him critical and popular acclaim. In 1864 he was elected RA. Much of the rest of Goodall's long career was devoted to painting similar scenes of Egyptian life with biblical associations, for which he made reference to his sketches and to Egyptian artefacts and clothing. Their success prompted a second visit to Egypt in 1870-71.






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